PERFORMANCE HIGHLIGHTS & DEMOS

"Perhaps the gem of the production—for what else does one call the lead in a parade of buffoonery, but a gem—is the character of Thomas Dickinson played with absolutely no restraint by Colum Parke Morgan. He enters the room with a stupefied expression and terrible bow, launches into a speech that astonishes everyone in the room, with the possible exception of Argan, who is so beyond reason that he cannot recognize its presence, or lack thereof, in another, and is an instant audience favorite. Under his mother’s controlling influence he is part manic, part show dog. But he is not to win the day, or Abigail’s heart—a fact that should surprise nobody."
https://www.newtimesslo.com/a-heavy-dose-of-the-tonic-of-laughter-2947743/
"It’s to our benefit, then, that they brought in Colum Parke Morgan for the role, a ball of pure charm, who practically stole the show in Austin Shakespeare’s production of Much Ado About Nothing. When he lambastes the other characters’ writing, he’s somehow able to make us both hate him, understand him, and at times even believe him. He has the ability to deliver an insult as if it’s a compliment, with even his most cutting critiques coming off more as tough love than out-and-out harassment. Part of this stems from Rebeck’s intelligent writing for the character, but Morgan certainly brings his own attitude to the role, able to seem both carefree and delicate simultaneously throughout."
"In the following scene, however, we’re introduced to Leonard, the teacher of the seminar. The energy, authenticity, and authority that Colum P. Morgan brings to the role immediately shifts the tone, and we watch as he demolishes Kate’s story, stating he can’t get more than five words in because it’s so boring and unengaging."
"Morgan dominates any scene in which he’s present..."
"Morgan is spot on as the frustrated Caleb, trying to make ends meet since the town mill has shut down."
https://www.independent.com/2007/06/21/company-concert-presented-by-pcpa-theaterfest/
"Morgan keeps his footing throughout, and delivers the lead’s big numbers with clarity, focus, and passion."
https://www.independent.com/2007/06/21/company-concert-presented-by-pcpa-theaterfest/
"Ultimately, Les Misérables is about the performances, and here PCPA has come up with a truly remarkable cast."
Client: Blue Bunny Ice Cream
Client: Tops Markets
Client: Laird Noller Automotive
"A live exploration of connection, presence, and joy in isolation."
Developed inside Zoom’s digital proscenium, this piece brought together three artists in Berkeley, Napa Valley, and myself in San Francisco. Through art-therapy-inspired performance, we became witnesses to each other’s creative process.
Peter paints emotion into form. Joe transforms rhythm into movement and I play with what they offer me.
“This work highlights Colum’s inventive fusion of red-nose technique and fixed-point work, driven by his command of biomechanics.”
In this short performance, I use a repeated verbal and physical phrase as the foundation to improvise new characters, each one instantly shaped by the audience's reactions in real time.
Listen to how the audience grows in laughter.
Watch four actors transform into a variety of characters in this lively musical, I Love You, You're Perfect, Now Change, featuring book and lyrics by Joe DiPietro and music by Jimmy Roberts. Artistic Director: Jim Giancarlo, Oregon Cabaret Theatre
This is an improv performance at the TEDx Paris conference with NEW! The Improvised Musical (Paris), where I was chosen by the audience to improvise the "Hero" song. This moment is a brilliant showcase of the power of improvisation in musical theatre.
This is an excerpt of long-form improvisation with NEW! The Improvised Musical (Paris), where a small company of actors and musicians spontaneously create melodies, lyrics, and scenes to produce a full-length musical each night.
In this clip, a character is brought to life through a balance of reaction and action during a virtual chat. With brief, punchy dialogue, the performance emphasizes keeping the character fully engaged, using subtle movements and responses to maintain energy and flow. Notice how the space is filled with action, making the surrounding environment feel present and alive.